Descripción:Reinhard Mey - Gute Nacht Freunde

Descripción:Leuchter went to Auschwitz and proved that no homicidal gas chambers existed

Descripción:Ernst Zundel interviews Fred Leuchter about his history-making tour to former Nazi concentration camps in Poland in 1988.

Descripción:Fred Leuchter talks about his tours of former Nazi concentration camps in the East and West.

Descripción:Insider Review von einigen Augenblicken des einzigartigen Jugendevents in Deutschland, Padderborn 2008.

Descripción:Fred Leuchter talks about his tours of former Nazi concentration camps in the East and West.

Descripción:Ernst Zundel interviews Fred Leuchter and Prof. Robert Faurisson about Leuchter's trip to Poland in 1988

Descripción:Ernst Zundel interviews Fred Leuchter and Prof. Robert Faurisson about Leuchter's trip to Poland - 1988

Descripción:Trailer for Errol Morris's Documentary Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.

Descripción:Scene from the Errol Morris documentary film about Fred Leuchter detailing incorrect testing methodology. http://en.wikipedia.org/wiki/Mr._Death:_The_Rise_and_Fall_of_Fred_A._Leuchter%2C_Jr.

Descripción:Fred Leuchter discusses his findings from former world war two German concentration camps. Camps from eastern and western Europe and including Auschwitz.

Descripción:Fred Leuchter discusses his findings from former world war two German concentration camps. Camps from eastern and western Europe and including Auschwitz. Fred Leuchter in a speech to the Eleventh IHR Conference in October, 1992, included the following remark : In this case, it is myself that I post mortem, and the cadaver isn't dead! Much to the dismay of my executioners, the execution was so badly botched that I am able to stand here before you to speak the truth, and to tell the world that it is not myself, but the Holocaust story that is dead. I repeat for the record: I was condemned for maintaining that there were no execution gas chambers as Auschwitz, Birkenau, Majdanek, Dachau, Mauthausen, or Hartheim Castle. There's no proof for the charge, only innuendo, lies, and half-truths. Robert Faurisson, Ernst Zundel and others said this first. They, too, live as victims of botched executions, but nevertheless free to speak the truth in a strong and growing voice that repeats: No gas chambers, no gas chambers, no damn gas chambers! Because I was somewhat naive at the time, I was not aware that by so testifying I was offending the organized world Jewish community. By providing final, definitive proof that there were no execution gas chambers utilized for genocidal purposes by the Germans at these wartime camps, I established the simple fact that the Holocaust story is not true. What I did not know was that anyone expressing such beliefs is guilty of a capital crime: that of thinking and telling the unspeakable truth about the greatest lie of the age. I would have to pay for this crime. While I innocently told the truth in Toronto, plans were made, and subsequently implemented, for a major effort to destroy me. If I could be destroyed and discredited "so the reasoning went" no one would accept my professional findings, no matter how truthful.

Descripción:Interactive sculpture /installation/crushing or execution machine By Mark Frygell -November 2008 www.markfrygell.blogspot.com www.markfrygell.com

Descripción:Anba Damian, Generalbischof der koptisch orthodoxen Kirchen in Deutschland berichtet über den Leuchter im Refektorium des koptischen Klosters Höxter Brenkhausen.

Descripción:Can't Get 'em

Descripción:The Nightingale and the Rose (Oscar Wilde) concept/direction: peter krauss & annette schmidt choreography: peter krauss actors: heribert leuchter, simone schmitt, annette schmidt, peter krauss music: heribert leuchter

Descripción:Fred Leuchter debunks zionist deceptions of "alleged" homicidal gassings in Nazi concentration "death" camps during world war II.

Descripción:Ein interview mit Gaskammer Expert Fred Leuchter.

Descripción:Lena Chamamyan - Sareri Hovin Mernem or Sariri Hoveen Mernim (Armenian Song) 2007 Lena Chamamyan websides: http://www.lenachamamyan.net/bio.html http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=244625654 Lena Chamamyan verbindet arabische Tradition und Folklore ihrer armenischen Herkunft mit eindeutigem Jazz-Idiom: Die junge Sängerin mit armenischen Wurzeln wurde in Damaskus geboren und gab bereits im zarten Alter von fünf Jahren erste Konzerte. Die syrische Diva mit großer Bühnenpräsenz und noch mehr Charisma belebt mit ihrem einzigartigen Vokalstil aus Klassik, Oriental Jazz und armenischer Musik traditionelle Lieder, allen voran syrische, wieder. In modernem Stil und neuen Arrangements erhält sie dennoch die Originalität der überlieferten Melodien und Texte, schafft eine Verbindung zwischen gleichförmiger orientalischer klassischer Musik und zeitgenössischer World-Music. Unterschiedliche musikalische Stile und Instrumente gehen bei Lena Chamamyan harmonisch Hand in Hand, bereichern die alten Melodien und verdeutlichen die Schönheit dieses Genres. Neben ihrem Wirtschaftsabschluss studierte Lena Chamamyan klassischen orientalischen Gesang am Konservatorium von Aleppo. Doch schon vor ihrer akademischen Musikausbildung begann sie sich für Jazz und traditionelle armenische Musik zu interessieren, für eben jene Mischung aus orientalischer Musik und Jazz-Elementen, die auch ihre Debüt-CD "Hal Asmar Ellon" 2006 ausmachte. Im selben Jahr gewann sie gemeinsam mit dem Trompeter Basel Rajoub den ersten Moyen Orient Music Award von Radio Monte Carlo. 2007 erschien ihr zweites Album "Shamat". Die Vokalistin hat mit vielen Musikern verschiedenster Nationalitäten zusammengearbeitet, so drückt sich etwa die Kooperation mit dem deutschen Akkordeonisten Manfred Leuchter (HP: http://www.sparito.de/ML/News.html) in wechselseitiger Präsenz auf beider CDs und vielen gemeinsamen Konzerten aus. Lena Chamamyan was born in Damascus city where she finished her elementary and secondary education through which she held many school concerts. The first of which she held at the age of five. She started to studying music at the age of nine, she graduated from the economics management department at Damascus University in 2002. while she was studying at the higher institution of music in Damascus , she graduated as a classical vocalist in 2007. Throughout her university education, she joined many workshops in the field of classic music with Gloria Skalki (Italy ) Karmen Filarna ( Italy ) Mia bits ( Netherlands ). She also joined Jazz workshops, most importantly, with the German Accordionist ( Manfred Leuchter ).this resulted in ena and Manfred featured on each others albums and many concerts in Syria and Germany . She also worked with many vocalists and musicians of different nationalities in many jazz festivals in Syria. The idea of the project was born before Lena started to study music academically. Classic was mixed with oriental jazz and Armenian music to reflect the unique essence of Lena's style as a vocalist. She was charmed from the very beginning by the idea of mixing simple oriental tunes with cords. Many friend from the high institution of music helped Lena understand and conceptualize the project the first of whom was Basel Rajoub who arranged the music and managed the progect. They together won the middle east first award presented by radio Monte Carlo in 2006 for ( Hal Asmarellon ) album that was produced by the means of the grant given to him by ( almawred althakafi ) institution ( Egypt ) . This helped to enrich the artistic abilities reflected on their second step of the project , the album ( Shamat). The thesis being reflected in the steps of the project can be explained in two points: first of all , it's an attempt to revive folkloric songs , especially Syrian ones , in a modern style and arrangement keeping the originality of the tunes and the lyrics in order to create a link between () monotonous oriental classic music and contemporary world music that has a harmonic accompany and different musical styles and instruments that contribute to enriching the tune and to activate the beauty of its genre which helps world cultural contact by forming a specific unique language especially outside the Arab world . the second point is to introduce origenal compositions allowing a more free space of tunes and lyrics as in ( Sha'am ) and ( magic) from ( Shamat ) album . Composition will get more focus in the next albums.

Descripción:The Faraday cage and van de Graaf generators at the Boston Museum of Science. It's the opening sequence for "Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr." by Errol Morris. Leuchter is sitting in the cage.